I am a masters art practice student from Loughborough University and I am currently gathering equipment, materials and advice on how to start learning the alternative photographic process of Wet Plate Collodion.
I am going to initially work toward perfecting the Ambrotype, which is a positive print on glass appose to the more complex Collodion Negatives.
I intend on documenting all stages of the process and I see this initial stage of gathering materials as a part of this process, as it is important with this process to take care and get all your health and safety information correct.
Further more I will use a collaboration of drawing to hopefully uncover innate links between processes the require an ‘impermanence of nature’ or methodology of chance.
‘the process of making by hand allows the makers intentions to develop and change in response to what he or she is creating over a period of time’ (Dormer 1994 80).
I believe that there are elements of preparation that inform my practise I see myself as a modern alchemist and this is further realised with the outcomes of the collodion images have an ‘unpredictable silver quality’ (Barnier 2000,61).
Although I am aware that this process is notorious difficult, I am determined to investigate it as an 18th century ritual performance that will later not only capture a series of images but will lead to an collaboration of drawings; giving a holistic and sensory account of enactive the event, atmosphere and ritual.
Two batches of collodion mixed from the same constituents on the same day may give completely different results…success can be elusive…No two plates are alike, no matter how hard you try to replicate your results. (Barnier, 2000, 64)
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